
The album is considered a concept album. In a three part storyline, an abused and apathetic person (represented by "The Worm") becomes an influential celebrity and finally transforms into the powerful "Disintegrator". In an issue of Kerrang! magazine edited by Manson, he stated that the album was a tribute to - and inspired by - the philosopher Friedrich Nietzsche. Much of the album content is deliberately vague, allowing listeners to draw independent conclusions. [source]
I remember when I first heard of Marilyn Manson back in middle school, I was honestly terrified of him as a human being. His music seared images of demon-like creatures playing rock instruments loud and threatening, trying to scare... I didn't spend too much time listening to his music, but his videos did scare me, "He must be possessed by the devil!" Back in those days I had the Lord living in my heart and mind, so I feared The Reaper... "Lead me not into temptation." But given the taste of my personality, of course I secretly enjoyed the extremes of pop artists like Nine Inch Nails and Manson. Total characters, like Ziggy Stardust
I've been digging it, fucking rocks, dude (throws up "the sign of the beast"). I'll listen to it on my way to Hagerstown. I'm trying to make my Greyhound experience as terrifying as possible! I'm sure this album isn't for everybody, plenty people can't stand this shit. The winning Manson listener is either be a disenchanted teenager with raging hormones and a fondness for the goth, or an adult open-minded listener who appreciates the horror, dedication, and uniqueness of Manson's art, particularly Antichrist Superstar. Sorry folks, this ain't for the kiddies.
2 comments:
Do you think that lady suit he wore was squishy or leathery? I vote squishy, like a Nerf football.
I think it was plasticy. Like I bet he sweat a lot wearing it, unless he didn't.
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