Sunday, November 30, 2008

The Armpit Collection XII: The Rock n Roll Quartet


Led Zeppelin Song Remains the Same (full version)
The Stooges Fun House
The Rolling Stones Exile on Main Street
The Velvet Underground Loaded

These albums are pieces of a tightly wound (albeit loosely played) version of rhythm and blues based rock n roll - in my mind. This version was created when blues and country were formally being introduced to popular culture. It was cemented by Elvis Presley, climaxed in the mid sixties, exploited in the later sixties and early seventies, and of course was later changed, progressed, shit upon, however you want to see it. I love rock n roll at it's earlier forms, like earlier Armpit entry, Elvis' first RCA record, and I love other types of music that might be labeled as rock n roll, like Pink Floyd's Dark Side of the Moon or the Boss' Born to Run, for instance. But it's that exploited period where I find just the right elements of cynicism, romanticism, classicism, any cism you can think of, for my rock n roll. There are many bands who enter popular music culture in an attempt to ride on a wave of great music, some are the wave, like Led Zeppelin or the Stones. And then bands like the Stooges and the Velvet Underground flex greater influence to later generations of musicians, yet their musical output might be placed somewhere else due to the time of their existence. The albums above all came out within a few years of each other, the height of rock n roll exploitation and change. You've got raw-driven-sex rock n roll in the Stooges, expertly-crafted-large rock n roll in Zeppelin, gritty-romantic-self produced rock n roll in the Stones, and self aware-song form experimentation-attitude rock n roll in the VU. All those adjectives are there and they most certainly are rock n roll.

4 comments:

Bradley Glisson said...

Whenever I hear "Loose" from Fun House I feel like I should be snitting lines and pounding a cheap hooker from behind. It's so raw, and dirty, and just filthy, yet so artisticly brilliant. It's what I imagine Patrick Bateman from American Psycho would've shagged and killed to if he was based in the 60's and not so in love with Huey Lewis.

And great Ian Curtis reference by the way!

YaYaYaDonTKnowMe said...

Just lumped all these albums together? VU is blues? Lou said of VU:

"So we had a little fine system: No R&B licks. No blues guitar licks. Because we can’t play them…. We’re going to do this other kind of thing, and it’s going to be city, pure…."

JlikeBoB said...

Just to further note, Loaded, much more so than any of their other albums, is a deliberate attempt at recreating and using early rock n roll song forms. Apparently Lou was kind of obessessed with the early doo-wop type of rock n roll, which I also associate with the general blanket of rhythm and blues based rock n roll. So in that sense, yea.

YaYaYaDonTKnowMe said...

No, I respect your decision to lump them all together, just giving you a hard time ;)

And you're right about Lou. Despite the songs are not "technically" being the blues, it still takes the idea to make verse/chorus/verse pop music.